


In the 2004 film version, the car was still pink, had six wheels and a glass canopy (now tinted) but Rolls Royce threatened legal action if the Rolls Royce name was used - this was considered slightly ironic, as Rolls Royce's Rolls-Royce Phantom was heavily compared to FAB1 when it was first introduced.
Ford were then approached and could not have been more helpful. The replacement FAB1 was - fittingly - a heavily modified Ford Thunderbird supplied by the Ford Motor Company.
According to some websites, FAB 1 can travel at supersonic speeds while flying. The boot panels would open to expose the gas turbine engine before flight and wings would extend from the undercarriage. During flight, the rear set of wheels folds into the vehicle's body completely. This prevents them from creating unnecessary drag and so slowing the aircraft down.
Skis for going over heavy snow are also added to the vehicle. The bullet-proof, run-flat tyres are fitted with studs in order to give extra traction.
The central passenger compartment of FAB 1 doubles as an emergency life raft in the event of an emergency at sea. Buoyancy tanks hidden in the body paneling ensure that the compartment remains afloat after it has broken away from the rest of the vehicle.
Lady Penelope also ownes a yacht, FAB 2, and a winning racehorse, FAB 3.

Thus, part of Elvgren's fame is undoubtedly due to his now legendary series of pin-ups painted over a period of thirty years for Brown and Bigelow, calendar publishers of St. Paul, Minnesota.
However, his twenty-five-year stint on advertising work for Coca-Cola helped to establish him as one of the great illustrators in this field as well. While the Coca-Cola artwork included some typical "Elvgren Girl" pinups, most of it depicted typical American families, children and teenagers ordinary people doing everyday things. During World War II and the Korean War, Elvgren even painted military scenes for Coca Cola. Like his famous Brown and Bigelow pinups, the Coca-Cola images eventually became acknowledged icons of American life.
Gil Elvgren a man who had spent much of his life enriching the lives of others succumbed to cancer on February 29, 1980, at the age of sixty-five. In his studio, on Featherbed Lane in Siesta Key, Drake found his father's last Brown and Bigelow pin-up an unfinished and yet still brilliant painting, reproduced and published here for the first time. Elvgren the man has been missed for almost two decades, but his art and legacy live on. Celebrating and enjoying what he created will remain the best compliment and greatest honor we can now bestow on them. And, without question, art historians of the twenty-first century will recognize Gil Elvgren as a major and important contributor to twentieth-century American art.


